Research
Artistic Research
My artistic research investigates performance as a living system shaped by pressure, duration and abstraction.
Rather than approaching performance as narrative representation, I explore it as a field of forces where the body, space and image continuously affect one another.
Across my projects, the body is treated as both material and instrument — capable of distortion, repetition, exhaustion and transformation. Research does not function as preparation for a final product, but as an ongoing process that generates performative structures.
The work evolves through studio laboratories, physical scores and spatial experimentation, often translating visual art references into embodied action.
Research Lines
Body Under Pressure
An ongoing investigation into physical endurance, distortion and vulnerability.
Through repetition and constraint, the performer’s body enters states of tension and instability, revealing how identity shifts under prolonged exposure.
This line informs projects such as ensemble-based works where the body becomes image and surface simultaneously.
Ritual & Collective Structures
A research focus on rhythm, chorus and collective transformation.
Here, repetition and shared physical tasks create temporary communities on stage, exploring how individuality dissolves into collective momentum.
The durational format plays a crucial role, allowing time to reshape perception and emotional intensity.
Abstraction & Performative Systems
An exploration of abstraction as embodied experience.
Using spatial scores, light, projection tools and interactive systems, the performer’s movement generates visual and sonic responses in real time.
The stage becomes a dynamic diagram rather than a narrative environment — a system that can be built, disrupted and reorganized live.
Process & Methodology
The research is developed through laboratory-based processes combining physical training, improvisational structures and compositional frameworks.
Studio sessions function as testing grounds where actions are repeated, fragmented and reassembled. Technology, when present, operates as a collaborator rather than a decorative element.
The emphasis lies on duration, structural clarity and the transformation of perception through sustained exposure.
Context
This research is adaptable to residency programs, interdisciplinary platforms and institutional frameworks, and serves as the foundation for performance works presented in theatrical and contemporary art contexts.
RESEARCH SUMMARY
My artistic research examines performance as a system shaped by duration, pressure and abstraction.
I investigate how the body transforms under repetition, collective structures and spatial constraints, treating the stage as a dynamic field rather than a narrative environment.
Through laboratory-based processes and performative systems, I translate visual and conceptual references into embodied action.
The work operates between performance, ritual and live composition, generating structures that evolve through endurance and real-time interaction.