{"id":5541,"date":"2026-03-03T09:46:22","date_gmt":"2026-03-03T07:46:22","guid":{"rendered":"https:\/\/www.konstantinospavlidis.com\/?page_id=5541"},"modified":"2026-03-03T16:22:25","modified_gmt":"2026-03-03T14:22:25","slug":"kandinsky-research","status":"publish","type":"page","link":"https:\/\/www.konstantinospavlidis.com\/el\/kandinsky-research\/","title":{"rendered":"KANDINSKY RESEARCH"},"content":{"rendered":"
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\n\t\t\t\t\tResearch-Based Performance Project An ongoing investigation of abstraction, technology and performative systems\t\t\t<\/h4>\n\t\t\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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KANDINSKY RESEARCH<\/h5>

Research-Based Performance Project<\/p>

Short Introduction<\/h5>

Kandinsky Research is an ongoing artistic research inspired by the theoretical and visual work of Wassily Kandinsky.
The project investigates abstraction as a performative condition, translating principles of color, form and rhythm into bodily, spatial and technological processes.<\/p>

Rather than referencing Kandinsky\u2019s paintings, the research focuses on his writings \u2014 particularly the relationship between inner necessity, movement and perception.<\/p>

Research Framework<\/h5>

At the core of Kandinsky Research lies an inquiry into how abstraction can be embodied.
The project explores the performer\u2019s body as a responsive system, interacting with light, sound and spatial scores.<\/p>

Using technological tools such as laser pointers, overhead projectors and live visual systems, the body operates both as an instrument and as a surface. Movement generates visual and sonic feedback, creating a dynamic composition in real time.<\/p>

The research treats the stage as a diagram rather than a narrative space.<\/p>

What the Audience Encounters<\/p>

The audience experiences a continuously shifting environment where actions, colors and sounds emerge from the performers\u2019 interactions with the system.<\/p>

Perception is fragmented and reassembled through abstraction. Meaning does not precede the experience, but arises from rhythm, intensity and spatial relations.<\/p>

The work invites spectators to observe how structure is built, disrupted and reconfigured live.<\/p>

Format<\/h5>

Type<\/span><\/strong>: Research-based performance \/ ongoing project<\/p>

Cast<\/strong><\/span>: Solo or ensemble (adaptable)<\/p>

Duration<\/strong><\/span>: Variable<\/p>

Stage<\/strong><\/span>: Black box, galleries, research & experimental spaces<\/p>

\u0393\u03bb\u03ce\u03c3\u03c3\u03b1<\/strong><\/span>: Non-verbal<\/p>

Status <\/strong><\/span>\u2714<\/span><\/strong> Ongoing research
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2714<\/span><\/strong> Developed for residencies, laboratories and funded research programs

Credits<\/span><\/strong>
Concept & Artistic Research<\/span><\/strong>: Konstantinos Pavlidis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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See the photos of the project here <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Research-Based Performance Project An ongoing investigation of abstraction, technology and performative systems KANDINSKY RESEARCH Research-Based Performance Project Short Introduction Kandinsky Research is an ongoing artistic research inspired by the theoretical and visual work of Wassily Kandinsky.The project investigates abstraction as a performative condition, translating principles of color, form and rhythm into bodily, spatial and technological […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"footnotes":""},"class_list":["post-5541","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/pages\/5541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/comments?post=5541"}],"version-history":[{"count":28,"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/pages\/5541\/revisions"}],"predecessor-version":[{"id":5759,"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/pages\/5541\/revisions\/5759"}],"wp:attachment":[{"href":"https:\/\/www.konstantinospavlidis.com\/el\/wp-json\/wp\/v2\/media?parent=5541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}